A study of concrete, light and stairwells, shot on expired film across four continents since 2016.

Buildings hold
their breath.
I wait for it.

Based inLisbon, Portugal
PracticeArchitectural & interior photography
FormatsMedium format film, large format prints
Concrete Choir — Tokyo, 2024

Selected work

Six commissions and personal studies, printed from negative and left largely untouched in post.

Brutalist stairwell, Tokyo

Shibuya, Tokyo

Concrete Choir

A week inside three brutalist housing blocks slated for demolition, photographed for the stairwells no one but residents ever see.

2024 — Personal study, Kodak Tri-X

Coastal modernist house, Portugal

Comporta, Portugal

Low Tide Modernism

Commissioned by a private client to document a 1968 coastal house before its first renovation in fifty years.

2023 — Private commission

Marble stairwell, Milan

Milan, Italy

Vertical Silence

Nine stairwells in nine postwar apartment buildings, each shot at the same hour of light to isolate the architecture from time.

2022 — Self-initiated, exhibited at Fondazione Cini

Housing block facade, Warsaw

Warsaw, Poland

The Grid Remembers

A survey of prefabricated housing facades, commissioned for a museum retrospective on postwar Polish architecture.

2021 — Museum commission

Desert modernist courtyard, Arizona

Tucson, Arizona

Courtyard Logic

A study of how desert modernism uses shadow as a structural material, shot over three consecutive summer solstices.

2020 — Personal study

Interior stairwell, Berlin

Berlin, Germany

Between Floors

Early work made while assisting on a restoration project — the first series that convinced me to shoot buildings full time.

2016 — Editorial, Baumeister Magazine

About

Eight years photographing buildings the way most people photograph the people inside them.

Portrait of Mara Voss

I don't shoot buildings when they're finished. I shoot them when they've settled — when the light has figured out where it lives.

Mara Voss trained as an architect before turning the camera on the profession she left. Her work sits between documentation and portraiture — treating stairwells, facades and courtyards with the same patience most photographers reserve for faces. Clients include museums, architecture studios and private collectors across Europe, Asia and North America.

EquipmentPentax 67, Mamiya RB67
PrintsSilver gelatin, archival pigment
ExhibitedMilan, Berlin, Lisbon, Tokyo
Available forCommissions & editorial

Let's photograph
something that stands still.

[email protected]
Studio Rua das Janelas Verdes
Lisbon, Portugal
Available for travel worldwide
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